Basics
   Intervals
      Simple
      Extended
   Note Letter-Names
      Chromatic
      F Major
      C Major
      G Major
      D Major
Chords
   Theory
   Triads
      Reference Charts
      Voicings
      Maj, min, dim, Aug
         Common Voicings
            1 3 5
            3 5 1
            5 1 3
            1 5 0 3
            1 3 0 0 5, 1 0 0 3 5
            3 0 1 5
            5 1 0 0 3
            1 0 1 3 5, 1 3 1 0 5
            1 5 0 3 1, 3 0 1 5 1
            1 5 1 3
      sus4, sus2
         Common Voicings
            1 2/4 5
            2/4 5 1
            5 1 2/4
            1 5 0 2/4
            1 2/4 0 0 5, 1 0 0 2/4 5
            2/4 0 1 5
            5 1 0 0 2/4
            1 0 1 2/4 5, 1 2/4 1 0 5
            1 5 0 2/4 1, 2/4 0 1 5 1
            1 5 1 2/4
   Sevenths
      Reference
      Maj7, Dom7, min7, min7b5
         Common Voicings
            1 0 7 3 5, 1 3 7 0 5
            1 5 0 3 7, 3 0 1 5 7
            1 5 7 3
      minM7, Dom7b5, Dom7#5, Maj7#5
         Common Voicings
            1 0 7 3 5, 1 3 7 0 5
            1 5 0 3 7, 3 0 1 5 7
            1 5 7 3
      dim7, dimM7
         Common Voicings
            1 0 7 3 5, 1 3 7 0 5
            1 5 0 3 7, 3 0 1 5 7
            1 5 7 3
      Maj7sus4, Maj7sus2, Dom7sus4, Dom7sus2
         Common Voicings
            1 0 7 2/4 5, 1 2/4 7 0 5
            1 5 0 2/4 7, 2/4 0 1 5 7
            1 5 7 2/4
   Sixths
      Reference
      Maj6, Min6
         Common Voicings
            1 0 6 3 5, 1 3 6 0 5
            1 5 0 3 6, 3 0 1 5 6
            1 5 6 3
   Ninths
      Reference
      Maj9, Maj6/9
      min9, min9b5
      Dom9, Dom9#5, Dom9b5
      Dom7b5b9, Dom7#5#9, Dom7b5#9, Dom7#5b9
   Elevenths
      Reference
      Maj11, Maj9#11, min11
      Dom11, Dom9#11, Dom7b9#11, Dom7#9#11
   Thirteenths
      Reference
      Maj13, min13, minb13
      Dom13, Dom13b9, Dom13b9b5
   Chord Relations for Common Voicings
      Maj, Maj7, Dom7, Maj6
         1 0 7 3 5, 1 3 7 0 5
         1 5 0 3 7, 3 0 1 5 7
         1 5 7 3
      min, minM7, min7, min6
         1 0 7 3 5, 1 3 7 0 5
         1 5 0 3 7, 3 0 1 5 7
         1 5 7 3
      dim, dimM7, min7b5 dim7
         1 0 7 3 5, 1 3 7 0 5
         1 5 0 3 7, 3 0 1 5 7
         1 5 7 3
      Maj7#5, Maj7
         1 0 7 3 5, 1 3 7 0 5
         1 5 0 3 7, 3 0 1 5 7
         1 5 7 3
      Dom7#5, Dom7, Dom7b5
         1 0 7 3 5, 1 3 7 0 5
         1 5 0 3 7, 3 0 1 5 7
         1 5 7 3
      min7, min7b5
         1 0 7 3 5, 1 3 7 0 5
         1 5 0 3 7, 3 0 1 5 7
         1 5 7 3
      Maj7sus4, Maj7, minM7, Maj7sus2
         1 0 7 3 5, 1 3 7 0 5
         1 5 0 3 7, 3 0 1 5 7
         1 5 7 3
      Dom7sus4, Dom7, min7, Dom7sus2
         1 0 7 3 5, 1 3 7 0 5
         1 5 0 3 7, 3 0 1 5 7
         1 5 7 3
Scales
   The Major Scale
      Reference
      Single Position Patterns
         I - Ionian
         ii - Dorian
         V7 - Mixolydian
         vi - Aeolian
      Double Position Patterns
         I - Ionian
         ii - Dorian
         V7 - Mixolydian
         vi - Aeolian
   The Melodic Minor Scale
      Reference
      Single Position Patterns
         iM7 - Ionian b3
         IV7 - Lydian Dominant
         VII7b5#5 - Altered
      Double Position Patterns
         iM7 - Ionian b3
         IV7 - Lydian Dominant
         VII7b5#5 - Altered
   Symetric Scales
      Reference
      Patterns
         Diminished minor
         Diminished Dominant
         Augmented
         Whole-Tone ( #4 )
         Whole-Tone ( b5 )
         Chromatic
   Pentatonic Scales
      Reference
   Blues Scales
      Reference
   Bebop Scales
      Reference
   Miscellaneous Scales
      Reference
   Exotic Scales
      Reference
   Five-Tone Exotic Scales
      Reference
Arpeggios
   The Major Scale
      Single Position Patterns
         I - Ionian
         ii - Dorian
         V7 - Mixolydian
         vi - Aeolian
      Double Position Patterns
         I - Ionian
         ii - Dorian
         V7 - Mixolydian
         vi - Aeolian
   The Melodic Minor Scale
      Single Position Patterns
         iM7 - Ionian b3
         III+5 - Lydian Augmented
         IV7 - Lydian Dominant
      Double Position Patterns
         iM7 - Ionian b3
         III+5 - Lydian Augmented
         IV7 - Lydian Dominant
Harmonics
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